The reports are just coming in of the historic return by United States of America of over 200 cultural objects to Indian Prime Minster Narendra Modi in Washington DC last night. These were smuggled out of India by now notorious art thief Subhash Kapoor.
The Ceremony is bound to go down in the Media with lot of chest thumping but the real monuments-men who were instrumental in its return are likely to be forgotten. That is what happened when then Australian Premier Tony Abott returned the Nataraja and Ardhanarishwara, When German Chancellor Angela Merkel returned the Kashmir Tengpura Durga or when Singapore returned the Uma.
The Indian Minister of Commerce in submission to Parliament said India brought back 18 Artefacts from Independence to 2015 (the actual number should be 21 – thanks to some glaring omissions by ASI!) https://www.myind.net/india-serious-about-retrieving-its-stolen-antiques . Of these 21 – 7 were the efforts of the India Pride Project.
This was the situation highlighted almost as a lament by the CAG report of 2013.
But this event in America changes the game – for they will be returning not 1 or 2 but 200
The MEA tweet says it all…
So what changed?
It’s the coming together of a group of concerned individuals as the IndiaPrideProject and the support of one man dubbed Americas Indiana Jones.
We now relate the efforts of this group that has led to the return of the Chola Bronze Ganesha and the Saint Manikkavasagar.
A non-descript city block in New York City holds the office of a key player in not just India’s battle to claim looting of its cultural treasures but the very epicentre of the Global struggle and America’s efforts to clamp down on the growing trade in illicit antiquities – tucked on the upper floors, the quaint 5 by 5 office space crammed with Indiana Jones memorabilia, paper clippings of art heists with fancy code names – “Mummy’s Curse” and “Hidden idol” overrun the crammed office space. The overflowing dealer catalogues and books on art dwarf the PC which bears mute witness to the efforts of this hero – special agent Brenton Easter. http://fivethirtyeight.com/features/the-real-life-indiana-jones/ and http://edition.cnn.com/2016/06/03/politics/hsi-indiana-jones-homeland-security-investigations/
Tucked under his signature baseball cap with the initials B, the pursuits of this one man army has all the bearings of a Hollywood thriller – with a flood of raids , seizures and restitutions spanning the globe – from Italy, Cambodia and now India ! His only lament was “Get me a good counterpart in India – I just need someone willing to go the distance”
For too long the red tape of Indian Bureaucracy and the ill equipped custodians have sent him on wild goose chases – including multiple weeks in hot and sultry India, with promises of arrests of the bad guys! Frustrating when he had done all the hard work and with irrefutable proof of the bad guys shipping documents, email exchanges, bank transfers, it was heart breaking to see the patchy attempts in delaying and letting the actual crooks go off the hook. He is single minded in his pursuit to dismantle the network, the token restitutions are only incidental and unless the law catches up with the actual robbers, the few seizures will be written off by the global players as Cost of doing business!! The US side is saddled by lack of legal support to not just prosecute the criminals but also weighed down by outdated statute of limitations in vogue in many of its state laws. Things seem to have finally fallen in place with the raid in Chennai this week.
Lax policing at source countries combined by friendly legal framework has ensured time and again the kingpins of this global smuggling racket go unpunished!
But the few restitutions do help to bring the spot light back on the crux of the problem. Optical due diligence by the ultimate buyers – in this case the reputed Toledo Museum of Art in Ohio and a reputed private collector in New York City.
The red tape buoying down the private efforts of Brenton and India Pride project came to the forefront in the case of Toledo Ganesha – the investigative work of IndiA Pride Project coupled with Jason Felch helped to uncover the loot in the first place. Indian born techie Ravi Venugopal managed to get them high resolution photographs which were then matched to the source photographs from the French Institute in Pondicherry
Though the Museum initially put up a stone wall, in private they wrote to the Indian Embassy and the Indian Ambassador in NYC. Sadly the letters went unanswered for months which finally led to them going to the Media for help. The Toledo museum took not just the Ganesha off display but handed over hundreds of other items gifted and purchased from the now defunct dealership to Homeland security.
The case of the Manikkavasagar was even more tricky. Just 8 days after it was cleared by US customs in late march 2006, It was bought by a private collector for USD 650,000 and went off the radar. It was never exhibited or published till mid-2015, when increasing heat from US law enforcement led to the private collector “voluntarily” surrendering the bronze to homeland security.
The identity of the dealer has been protected since he could demonstrate that he purchased the bronze in “good faith” – which in Kapoor’s case, was a fake provenance paper from his estranged girlfriend’s art dealership in Singapore dated May 5, 2005, the letter claims the saint came “from a private collection” and “has been out of India for more than 30 years”.
Both the above bronzes were looted from the Sripuranthan temple as did the Nataraja (returned by the National gallery of Australia) and the Uma (returned by the Asian Civilisations Museum, Singapore). Many other bronzes taken by the same gang from the Sutamalli temple have been seized by Homeland security in various Art of Past Warehouses and await procedural formalities to return. It is pertinent to mention here that the total number of bronzes stolen from just these two temples is 17 from Sutamalli and 8 from Sripurandan.
There are other objects being returned which include seizures from the Toledo Museum and the Honalulu academy of arts – which we had covered in the just the previous article. You can see how a dedicated team working with an honest officer can usher in major changes and results. https://www.myind.net/plunder-chandraketugarh
The recent ( and much delayed) raids on the notorious art dealer in Chennai is a sure sign that the wheels have finally started to move in the right direction…but these restituions are still a miniscule fraction of what is actually being looted and if India has to make a firm stance, it has to immediately:
- Setup a strong and dedicated central Art Squad
- Work on setting up a national archive
- Show more action in going after the entire smuggling network basing on co operation with international law enforcement agencies.